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    <loc>https://www.richardmorris.org/blog-1-1</loc>
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    <lastmod>2025-11-24</lastmod>
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  <url>
    <loc>https://www.richardmorris.org/blog-1-1/murals-and-misunderstandings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/afdd6b1d-1c48-44df-bf97-69c88e4b20a4/ravilious.jpg</image:loc>
      <image:title>Art History blog - Murals and Misunderstandings - Make it stand out</image:title>
      <image:caption>‘Life in a Boarding House,’ (c1930) by Eric Ravilious for Morley College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/a372f86b-d163-44c1-8a11-9f5ae81c1b9d/bawdenlife.jpg</image:loc>
      <image:title>Art History blog - Murals and Misunderstandings - Make it stand out</image:title>
      <image:caption>‘Country Life in Britain,’ (1951) by Edward Bawden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/4902cd39-b5c6-45d4-92af-4c496384f085/maryadshead.jpg</image:loc>
      <image:title>Art History blog - Murals and Misunderstandings - Make it stand out</image:title>
      <image:caption>‘An English Holiday, The Puncture,’ (1928) by Mary Adshead for Lord Beaverbrook</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/5e34dbff-2f25-43e5-82c1-0e7eada48c98/SWEEP-IT-UNDER-THE-CARPET-BANKSY-2.jpg</image:loc>
      <image:title>Art History blog - Murals and Misunderstandings - Make it stand out</image:title>
      <image:caption>‘Sweep it Under the Carpet,’ (2006) by Banksy at Chalk Farm Road, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/d4b16125-5993-4398-ab42-9ac8d2caab5c/ewellbridge.jpg</image:loc>
      <image:title>Art History blog - Murals and Misunderstandings - Make it stand out</image:title>
      <image:caption>The mural at Ewell East tunnel (2025)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/museums-open-up-your-vaults</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/bf2d1806-c7ce-4834-8afb-5d2210ed59b2/broads.jpg</image:loc>
      <image:title>Art History blog - Museums: open up your vaults - Make it stand out</image:title>
      <image:caption>‘On the Broads.’ (1833) by Henry Bright</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/6669eaa9-7c52-4cf8-97d7-9b49741ea16d/chalkpit.jpg</image:loc>
      <image:title>Art History blog - Museums: open up your vaults - Make it stand out</image:title>
      <image:caption>‘Chalk Pit, High Noon.’ (1921) By Leonard Squirrell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/8312913f-e989-4618-ac0a-5a9a112aaa3a/becker.jpg</image:loc>
      <image:title>Art History blog - Museums: open up your vaults - Make it stand out</image:title>
      <image:caption>‘Man with a Scythe, Mowing.’ (c1920) By Harry Becker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/c8af939f-c2d1-40d4-a10b-4b15dbf0edc0/hallclarke.jpg</image:loc>
      <image:title>Art History blog - Museums: open up your vaults - Make it stand out</image:title>
      <image:caption>‘Self-portrait,‘ (c1900) by Edna Clarke Hall</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/the-masterpieces-on-your-doorstep</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/3465fb22-7865-428a-b97f-7c4fd80cae63/cafesuisse.jpg</image:loc>
      <image:title>Art History blog - The masterpieces on your doorstep - Make it stand out</image:title>
      <image:caption>‘The Cafe Suisse, Dieppe.’ (1916) by Walter Sickert</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/48dac608-c57d-40b7-80c7-ea9aeb14723f/goodman.jpg</image:loc>
      <image:title>Art History blog - The masterpieces on your doorstep - Make it stand out</image:title>
      <image:caption>‘Arnold Goodman,’ (1974) by Graham Sutherland‍ ‍</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/54cc3091-974b-4fe7-8475-223e46b62920/constablemaria.jpg</image:loc>
      <image:title>Art History blog - The masterpieces on your doorstep - Make it stand out</image:title>
      <image:caption>‘Maria Constable and Three of her Children.’ By John Constable (about 1822)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/save-art-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/ce6c4b56-71e7-412f-9a8f-4848cfb76f00/capelyffin.jpg</image:loc>
      <image:title>Art History blog - Save Art History - Make it stand out</image:title>
      <image:caption>Capel-y-Ffin (1926-1927) by David Jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/726e01c7-d089-4997-a5ca-0f34969ca939/beaconhillburghclere.jpg</image:loc>
      <image:title>Art History blog - Save Art History - Make it stand out</image:title>
      <image:caption>‘Beacon Hill, Burghclere.’ (1927) By Stanley Spencer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/994dd3c7-7e3a-4304-8b7c-377b240c0b05/spencergardening.jpg</image:loc>
      <image:title>Art History blog - Save Art History - Make it stand out</image:title>
      <image:caption>‘Gardening,’ (c1945) by Stanley Spencer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/whistler-how-venice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/c1e0f579-3e5c-4fab-9936-17203a231046/whistlerwhite.jpg</image:loc>
      <image:title>Art History blog - Whistler: how Venice transformed his style - Make it stand out</image:title>
      <image:caption>‘Symphony in White, No. 1: The White Girl,’ (1862)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/65948805-aa25-407d-bd89-a29322e5fda2/fallingrocket.jpg</image:loc>
      <image:title>Art History blog - Whistler: how Venice transformed his style - Make it stand out</image:title>
      <image:caption>‘Nocturne in Black and Gold, the Falling Rocket,’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/39b71b6c-0588-4c46-8722-5bf22dd13d0a/steps.jpg</image:loc>
      <image:title>Art History blog - Whistler: how Venice transformed his style - Make it stand out</image:title>
      <image:caption>‘The Steps.’ (1879)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/946a2261-96be-461f-97f0-e3aa8e0450cb/marblepalace.jpg</image:loc>
      <image:title>Art History blog - Whistler: how Venice transformed his style - Make it stand out</image:title>
      <image:caption>‘The Marble Palace.’ (1880)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/everyones-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/99ef3809-ecc1-4fcd-b1e9-28112e798596/east.jpg</image:loc>
      <image:title>Art History blog - Everyone’s Art: getting our art out of storage and on view - Make it stand out</image:title>
      <image:caption>‘On Top of the Wolds.’ Alfred East c1890</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/mary-cassatt-painting-the-modern-woman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/c5f0b01b-1f5f-46cd-90f6-6f6c9763d66c/courbet.jpg</image:loc>
      <image:title>Art History blog - Mary Cassatt: painting the modern woman - Make it stand out</image:title>
      <image:caption>‘Woman in a Riding Habit (L'Amazone).’ (1885/9) by Gustave Courbet. Mary Cassatt said this work was ‘the finest woman’s portrait Courbet ever did.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/bc54429b-0e67-4ae9-8ca0-25ae32f0a8d8/flowers.jpg</image:loc>
      <image:title>Art History blog - Mary Cassatt: painting the modern woman - Make it stand out</image:title>
      <image:caption>‘Two Women Throwing Flowers at the Carnival.’ (1872)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/d09d1a4f-533e-4dc2-8246-7000c0baece6/degas.jpg</image:loc>
      <image:title>Art History blog - Mary Cassatt: painting the modern woman - Make it stand out</image:title>
      <image:caption>‘Before the Mirror.’ (c1889) coloured pastel by Edgar Degas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/fcae75e9-5ed4-458f-9b56-f577c3957c89/loge.jpg</image:loc>
      <image:title>Art History blog - Mary Cassatt: painting the modern woman - Make it stand out</image:title>
      <image:caption>‘In the Loge.’ (1872)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/4192d72d-aa00-41b4-91a0-2ea60d8dfaeb/little_girl_in_a_blue_armchair_1983.1.18+%282%29.jpg</image:loc>
      <image:title>Art History blog - Mary Cassatt: painting the modern woman - Make it stand out</image:title>
      <image:caption>‘Little Girl in a Blue Armchair.’ (1872)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/cb16e420-c601-49db-b77c-8c6f4cf75dcd/prints2.jpg</image:loc>
      <image:title>Art History blog - Mary Cassatt: painting the modern woman - Make it stand out</image:title>
      <image:caption>‘Woman Bathing.’ (1891) coloured print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/1b71fce2-0eab-4908-b77a-30cfadbb74b9/youngwoman.jpg</image:loc>
      <image:title>Art History blog - Mary Cassatt: painting the modern woman - Make it stand out</image:title>
      <image:caption>‘Young Woman in a Black and Green Bonnet, Looking Down.’ (c1890) coloured pastel by Mary Cassatt</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/vilhelm-hammershi-the-eminence-in-greys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/51de580c-599b-44ca-9a7d-7eceedf12db5/dreyer.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘Georges Dreyer.’ (1913)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/c1a4f735-3d3c-4944-9d69-60dc646f864c/moonlight.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘Moonlight, Strandgade 30.’ (1901/02)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/f113e68f-460b-4e0e-befe-6745890f7c7f/annaf.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘Frederikke Hammershøi, the Artist's Mother.’ (1886)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/adcba7ac-6ecd-42b0-902a-364174125c92/anna.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘Portrait of a Young Woman, The Artist’s Sister, Anna.’ (1885)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/848914a4-7ae0-407a-9237-44376bf77d2e/younggirlsewing.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘Young Girl Sewing.’ (1888)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/0c5de281-3ddb-48cf-89e9-03ff452d266a/inandout.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘Interior Looking out on the Exterior, Strandgade 30 (c1900)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/9202b899-ab97-4562-a73c-a16e43452c65/Hammersh%C3%B8i_Old_Asiatic_Company.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘The Buildings of the Asiatic Company, seen from St. Annæ Street.’ (1902)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/cf1d2375-abbf-4f39-a953-7fe9f062d200/piano.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘The Old Piano.’ (1907)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/7a2af019-1404-47f9-a1bf-55f4cc8a97b3/marble.jpg</image:loc>
      <image:title>Art History blog - Vilhelm Hammershøi: the eminence in greys - Make it stand out</image:title>
      <image:caption>‘Interior with a Marble Niche.’ (1915)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/walter-sickert-and-a-fascination-for-dieppe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/ef10a511-602b-4933-9c8a-6babfbf89760/monetsunlight.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘Rouen Cathedral: The Portal in Sunlight.’ (1894)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/f5adbc7d-26fd-4e79-a4e5-e8bd8f4cb955/gauguin2.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>Paul Gauguin, ‘Women Bathing, Dieppe.’ (1885)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/295eae62-a257-4320-84b4-7e7f0dcc506f/dieppeharbour.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘Dieppe Harbour.’ (1885) Walter Sickert</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/5ccf58d2-918e-4fdb-9c08-48d8dca88b2d/sixfriendsatdieppe.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘Six Friends at Dieppe.’ (1885) from left to right: Walter Sickert, Daniel Halévy and his father Ludovic, Jacques-Émile Blanche, Henri Gervex and Albert Boulanger-Cavé,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/450d01ae-02d2-4752-8293-4be924804bc1/stj1899.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘The Façade of St Jacques, Dieppe,’ (1899-1900)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/71cefef2-9e25-4319-8081-ed2ccfc87c27/ruestjacquesbaron.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘La Rue St Jacques, Dieppe.’ (1894/5)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/f57ddf30-34b6-4f33-902a-7c4b18e0a828/dieppesickert.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘La Rue St Jacques, Dieppe.’ (c1903)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/f04557c0-2197-4817-857b-25aa617d77da/junk.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘The Junk Shop.’ (1906)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/f6556ce9-3515-41a7-8405-44d55dbe00ba/cheese.jpg</image:loc>
      <image:title>Art History blog - Walter Sickert, Degas, Dieppe, and the Monet factor - Make it stand out</image:title>
      <image:caption>‘Roquefort.’ (1919/20)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/gilbert-spencer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/32c51263-21b3-460a-9225-3d596db83156/sp1914.jpg</image:loc>
      <image:title>Art History blog - Gilbert Spencer: a very English eye for landscape - Make it stand out</image:title>
      <image:caption>Gilbert Spencer Self-portrait (1914)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/c011fd34-4eb4-4d63-ac4b-0ff03a8d1e4b/newarrivals.jpg</image:loc>
      <image:title>Art History blog - Gilbert Spencer: a very English eye for landscape - Make it stand out</image:title>
      <image:caption>‘New Arrivals: F4 Ward, No. 36 Stationary Hospital, Mahemdia, Sinai.’ (c1918)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/285bbdb2-1fb2-4362-9fc8-f140b233d7fc/dorsetdowns.jpg</image:loc>
      <image:title>Art History blog - Gilbert Spencer: a very English eye for landscape - Make it stand out</image:title>
      <image:caption>‘Dorset Downs.’ (1920)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/73c52e51-8d2f-4b80-89c3-2c5b535553b4/elmtrees.jpg</image:loc>
      <image:title>Art History blog - Gilbert Spencer: a very English eye for landscape - Make it stand out</image:title>
      <image:caption>‘Elm Trees at Garsington.’ (1921)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/70b44938-5f06-4c25-9f04-2ff873882340/gilbertlandscape.jpg</image:loc>
      <image:title>Art History blog - Gilbert Spencer: a very English eye for landscape - Make it stand out</image:title>
      <image:caption>‘Melbury Downs.’ (c1934)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/2b3f8b4e-6b0f-4aa3-8548-00e927c376c2/cotswold+farm.jpg</image:loc>
      <image:title>Art History blog - Gilbert Spencer: a very English eye for landscape - Make it stand out</image:title>
      <image:caption>‘A Cotswold Farm.’ (1930/1)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/claud-lovat-fraser-an-unsung-hero-of-british-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/6757e3ff-3598-4b75-b95d-2ae98290503c/Lovat1913.png</image:loc>
      <image:title>Art History blog - Claud Lovat Fraser; an unsung hero of British design - Make it stand out</image:title>
      <image:caption>Claud Lovat Fraser by Marion Neilson (1913) National Portrait Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/8f5845a6-21f9-41ef-8c8a-efd59467b172/theatre.jpg</image:loc>
      <image:title>Art History blog - Claud Lovat Fraser; an unsung hero of British design - Make it stand out</image:title>
      <image:caption>‘A Scene at the Theatre.’ (1914)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/1de70bd7-7d03-48d1-baf9-bfc512eef437/haymarket.jpg</image:loc>
      <image:title>Art History blog - Claud Lovat Fraser; an unsung hero of British design - Make it stand out</image:title>
      <image:caption>Poster for ‘The Beggar’s Opera.’ (1920)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/85fb48a6-4e69-4d40-9aa5-a724465b7e63/LOVAT.jpg</image:loc>
      <image:title>Art History blog - Claud Lovat Fraser; an unsung hero of British design - Make it stand out</image:title>
      <image:caption>‘Doctor Foster,’ from ‘Nursery Rhymes with Pictures,’ by Claud Lovat Fraser (1919)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/4b0f85ab-6437-4a1b-a7a9-381a6d8327d7/paulnashlovat.jpg</image:loc>
      <image:title>Art History blog - Claud Lovat Fraser; an unsung hero of British design - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/thomas-saunders-nash-the-everyday-and-the-mystical</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/4a00c69f-5161-43b2-99bd-78da1a091208/malestanding.jpg</image:loc>
      <image:title>Art History blog - Thomas Saunders Nash: the everyday and the mystical - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/1fe5f1b4-77c8-4f9d-9f32-259496bed5d6/gibeon.jpg</image:loc>
      <image:title>Art History blog - Thomas Saunders Nash: the everyday and the mystical - Make it stand out</image:title>
      <image:caption>‘The Sword of the Lord of Gideon.’ (1938)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/a50aaca8-c596-450d-bad9-29cdfce88ebe/christbefore.jpg</image:loc>
      <image:title>Art History blog - Thomas Saunders Nash: the everyday and the mystical - Make it stand out</image:title>
      <image:caption>‘Christ before the People.’ (1921)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/781ea5f4-fa5c-403f-b46f-1cd6d98fa5b3/applepickers.jpg</image:loc>
      <image:title>Art History blog - Thomas Saunders Nash: the everyday and the mystical - Make it stand out</image:title>
      <image:caption>In the Orchard (The Applepickers)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/2b0e0941-8cee-49c1-92be-00124670c022/cruxifiction.jpg</image:loc>
      <image:title>Art History blog - Thomas Saunders Nash: the everyday and the mystical - Make it stand out</image:title>
      <image:caption>‘Crucifixion.’ (1928)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/d8d62149-f5d6-47a2-b10a-4fdefa200e1f/still.jpg</image:loc>
      <image:title>Art History blog - Thomas Saunders Nash: the everyday and the mystical - Make it stand out</image:title>
      <image:caption>‘Still-life.’ (1929)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/7d8e990a-089c-457c-b40e-615e3b7f15ae/christers.jpg</image:loc>
      <image:title>Art History blog - Thomas Saunders Nash: the everyday and the mystical - Make it stand out</image:title>
      <image:caption>‘Choristers.’ (1951)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/harry-becker-and-his-interpretation-of-the-english-countryside</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/b67813ee-72df-4ff5-97e0-b673e6085121/countryside.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘Landscape, Suffolk Countryside.’ (c1892)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/51d6b1b9-bab4-4704-9d2a-48fff5cc8b9c/colchester.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘Dutch Refugees Fleeing from the Persecution of the Duke of Alba, Praying Permission of the Bailiffs of Colchester to Settle in the Town, 1570 AD.’ (c1890)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/e48b9fa0-25d2-4ea3-899b-4e2fe91d8776/febday1.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘A February Day.’ (1892)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/f1d5e3d3-18e4-45d2-9ef3-a80c23dbfd9a/printbecker.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘Three women harvesting in a field.’ (1908)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/90bf574d-448b-4524-a0e4-d8ba17c2e612/women.jpeg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘Dutch Peasant Women Gathering Potatoes.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/386ace50-a46b-4839-ad7a-24a5694342af/manhedging.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘A Man Hedging.’ (1913-1928)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/ade905ba-b08f-42a7-a2e3-ee7fb81560be/headofmanstudy.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘Head of a Man.’ Study for ‘The Sower.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/453da6fa-1e60-427b-91f7-ecb1552daa18/twomen.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘Two Men Clearing a Bank.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/b42a5a5e-cad6-47dc-884c-6c2628b711b5/recliningman.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘A Reclining Man in a Cap ('Forgotten then were the disconsolate, the rainy days') (1913-1928)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/4c6a5211-2093-4983-bc9c-d9a7bcbdfa44/manwithascythe.jpg</image:loc>
      <image:title>Art History blog - Harry Becker and his interpretation of the English countryside - Make it stand out</image:title>
      <image:caption>‘A Man with a Scythe.’ (1913-1928)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/frederick-cayley-robinson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/4283b618-f379-4a69-890c-ee4972f6441d/childhood.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘Childhood.’ (1926)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/e773c4a6-a4b7-4140-8c03-ffc55a969c60/king.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘King Cophetua and the Beggar Maid.’ (1884)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/4188adf5-3d19-45e2-b475-fc160d249fcf/inawoodsogreeen.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘In a Wood so Green.’ (1893)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/ab3a1449-afe9-471b-bab1-d5e4bb2381e2/nightwatch.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘The Night Watch.’ (1903)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/3f8abc8a-b021-4da5-9fae-a3c3d9da96cf/farewell.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘Farewell.’ (1906)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/6f6b11c5-cb66-4233-a6f4-92467987bf9a/orohans.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘Orphan Girls Entering the Refectory of a Hospital.’ (1915)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/378195ed-8fd3-4c7a-a09d-de7f6a6bc76c/DBY_SEDC_PCF_01A-001.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘WW1 Memorial, Heanor Secondary School in Derbyshire.’ (left wing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/26937523-802c-4bfe-9fb6-929ee688bace/tryptych.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘WW1 Memorial to the Students of Heanor Grammar School (triptych, centre panels) c.1919</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/2aaf8f95-f847-4f3c-a3a0-c77f46967572/fisherman.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘Le Pauvre Pêcheur (The Poor Fisherman) 1881, oil on canvas by Pierre Puvis de Chavannes (1824–1898)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/082550ad-1e9b-481d-a163-9f2f90bc4129/pastoral.jpg</image:loc>
      <image:title>Art History blog - Frederick Cayley Robinson - Make it stand out</image:title>
      <image:caption>‘Pastoral.’ (1923-1924)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/Blog Post Title One-pslb4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/ec312e41-7dc6-4892-914d-6202dcbd3780/spanishlandscape.jpg</image:loc>
      <image:title>Art History blog - Derwent Lees: ‘the most modern of the modernists.’ - Make it stand out</image:title>
      <image:caption>‘Spanish Landscape.’ (1912)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/07b1e11d-e2a2-4791-a501-9af43c666ec6/eveningderwentlees.jpg</image:loc>
      <image:title>Art History blog - Derwent Lees: ‘the most modern of the modernists.’ - Make it stand out</image:title>
      <image:caption>‘Evening.’ (1911)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/b9f8a1b3-6ced-4bf6-af55-8d9e7a126fa0/lyndra.jpg</image:loc>
      <image:title>Art History blog - Derwent Lees: ‘the most modern of the modernists.’ - Make it stand out</image:title>
      <image:caption>‘Lyndra in the Pyrenees.’ (1913)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/686a8aac-b002-439c-9538-63e6da9a7633/Mothees.jpg</image:loc>
      <image:title>Art History blog - Derwent Lees: ‘the most modern of the modernists.’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/6dffdf1f-3fd6-49bb-832d-f3a1354a756d/collieure.jpg</image:loc>
      <image:title>Art History blog - Derwent Lees: ‘the most modern of the modernists.’ - Make it stand out</image:title>
      <image:caption>‘Landscape at Collioure.’ (1910)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/853747b8-06c9-4041-b109-6e7f22c371eb/bluepool.jpg</image:loc>
      <image:title>Art History blog - Derwent Lees: ‘the most modern of the modernists.’ - Make it stand out</image:title>
      <image:caption>‘The Blue Pool.’ (1914)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/f51e4d7d-cccf-421c-ba70-c66d68d1e2e7/bourton.jpg</image:loc>
      <image:title>Art History blog - Derwent Lees: ‘the most modern of the modernists.’ - Make it stand out</image:title>
      <image:caption>‘A View of Bourton Village.’ (c1912)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardmorris.org/blog-1-1/blog-post-title-two-yfhc5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/1f7446e9-a854-4569-b48c-2d8ed73f1aa6/FLOWERwalk.jpg</image:loc>
      <image:title>Art History blog - Paul Maitland: the overlooked London Impressionist - Make it stand out</image:title>
      <image:caption>‘The Flower Walk.’ (1897)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/e47c3752-c227-4ba9-8c52-6690c9d83809/hyacinth.jpg</image:loc>
      <image:title>Art History blog - Paul Maitland: the overlooked London Impressionist - Make it stand out</image:title>
      <image:caption>‘Hyacinth in a Ginger Bowl.’ (1883)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/483d5671-167d-46a9-80d2-3db3a9f322f4/factories.jpg</image:loc>
      <image:title>Art History blog - Paul Maitland: the overlooked London Impressionist - Make it stand out</image:title>
      <image:caption>‘Factories bordering the River.’ (1886)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/35149e3e-5917-4973-9454-c1290dc74582/housethroughtrees.jpg</image:loc>
      <image:title>Art History blog - Paul Maitland: the overlooked London Impressionist - Make it stand out</image:title>
      <image:caption>‘A House through Trees.’ (c1889)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/148a4789-d008-4191-91eb-aa70c4f4b183/sunlight.jpg</image:loc>
      <image:title>Art History blog - Paul Maitland: the overlooked London Impressionist - Make it stand out</image:title>
      <image:caption>‘The Three Public Houses, Morning Sunlight.’ (1889)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/cef3359b-cd7c-42b5-924f-d1069b5c0841/kg.jpg</image:loc>
      <image:title>Art History blog - Paul Maitland: the overlooked London Impressionist - Make it stand out</image:title>
      <image:caption>‘Kensington Gardens.’ (1890)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67975969105f5a26a15ac893/b978671a-9b2f-4669-8f6f-9a09f1b56db7/summercheynewalk.jpg</image:loc>
      <image:title>Art History blog - Paul Maitland: the overlooked London Impressionist - Make it stand out</image:title>
      <image:caption>‘Summer Cheyne Walk.’ (c1902)</image:caption>
    </image:image>
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    <lastmod>2025-12-11</lastmod>
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